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Search for: Extended

Search for "Avant-garde (Music) ". Search results: avant : 750, garde : 748, music : 11770. Results 61-70 of 321. Search took 0.045 seconds
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61. radiOM.org - Other Minds Presents Henry Cowell: The Whole World of Music, Concert Two [5.783% Popularity: 0.00000]
Other Minds Presents: Henry Cowell: The Whole World of Music, Concert Two Listen Item Type: Sound Recording Duration: 157 min Event Type: Lecture / Panel Discussion Program Origin: Other Minds On November 13, 2009, at the Presidio Chapel in San Francisco, CA, Other Minds presented the second of two concerts dedicated to the music of Henry Cowell. Born in Menlo Park in 1897, Cowell began his musical career as a concert pianist, and is perhaps best known for pioneering such “ultramodern” performance techniques as “tone clusters,” in which the arms are used to play a number of notes simultaneously, and the direct manipulation of the strings of the piano, in a manner that presaged John Cage’s works for prepared piano. Yet Cowell’s greatest contribution to avant-garde music came with his publication of the journal “New Music Quarterly” and its associated recordings. First issued in 1927, and edited by Cowell until 1936 this journal was where many works, by what are now recognized as the greatest 20th century Ameri...
62. radiOM.org - Other Minds Presents Henry Cowell: The Whole World of Music, Concert One [5.772% Popularity: 0.00000]
Other Minds Presents: Henry Cowell: The Whole World of Music, Concert One Listen Item Type: Sound Recording Duration: 76 min Event Type: Music Program Origin: Other Minds On November 12, 2009, at the Valley Presbyterian Church in Portola Valley, CA, Other Minds presented the first of two concerts dedicated to the music of Henry Cowell. Born in nearby Menlo Park in 1897, Cowell began his musical career as a concert pianist, and is perhaps best known for pioneering such “ultramodern” performance techniques as “tone clusters,” in which the arms are used to play a number of notes simultaneously, and the direct manipulation of the strings of the piano, in a manner that presaged John Cage’s works for prepared piano. Yet Cowell’s greatest contribution to avant-garde music came with his publication of the journal “New Music Quarterly” and its associated recordings. First issued in 1927, and edited by Cowell until 1936 this journal was where many works, by what are now recognized as the greatest 20th century American ...
63. radiOM.org - Music Review Source & Space [5.283% Popularity: 0.00000]
Music Review: Source & Space Listen Item Type: Sound Recording Duration: 18 min Event Type: Spoken Word Program Origin: KPFA In this brief program, recorded in May 1971, Charles Amirkhanian reviews issues 7 & 8 of “Source: Music of the Avant-Garde,” a biannual periodical of unusual music and art, as well as “Space” a book of poetry by Clark Coolidge. “Source,” published by Larry Austin, Stanley Lunetta, and Arthur Woodbury, was an extraordinary magazine that presented articles, musical scores, and even included actual 10” discs of recorded music. Devoted to the avant-garde, it was a premiere publication for electronic music and intermedia art that was otherwise overlooked by the more mainstream press. Amirkhanian describes the spiral bound format that combined exceptional production values with a do-it-yourself sensibility, while also listing some of the content, including works by John Cage, Mark Riener, & Alvin Lucier, among others. Amirkhanian then turns his attention to “Space” by Coolidge, describing the...
64. radiOM.org - Source Program No. 4 [5.132% Popularity: 0.00000]
Source: Program No. 4 Listen Item Type: Sound Recording Duration: 50 min Event Type: Music Program Origin: KPFA The fourth in a series of late-night electronic music mixes, produced by the editorial staff of “Source Magazine”, a bi-yearly publication devoted to avant-garde composers’ scores, articles and photographs. Source also produced a series of published music scores, known as the Composer/Performer Edition. This program was produced by Arthur Woodbury. Musical Selections: [a mix of electronic sounds] Genres: Electro-Acoustic / Electronic ; Avant-Garde Subject: Electronic music ; Avant-garde (Music) People: Woodbury, Arthur Recording Date: 11/18/1969 First Broadcast Date: 11/18/1969 Listen...
65. radiOM.org - Source Program No. 5 [5.132% Popularity: 0.00000]
Source: Program No. 5 Listen Item Type: Sound Recording Duration: 40 min Event Type: Music Program Origin: KPFA The fifth in a series of late-night, electronic, music mixes, produced by the editorial staff of “Source Magazine”, a biannual publication devoted to avant-garde composers’ scores, articles and photographs. Source also produced a series of published music scores, Composer/Performer Edition. With its combination of weird electronic sounds, text-sound compositions, and fragments of interviews this program serves as a classic example of the type of avant-garde and electronic music programing that documented the artistic explosion of the late 1960s. Musical Selections: [a mix of electronic sounds, speech, and fragments of interviews] Genres: Electro-Acoustic / Electronic ; Avant-Garde Subject: Electro-acoustic ; Electronic music ; Avant-garde (Music) ; Text-sound compositions ; Source; music of the avant garde ; Source (Sacram. Calif.) People: Lunetta, Stanley ; Austin, Larry Recording Date: 12/16/1969 ...
66. radiOM.org - Source Program No. 2 [5.123% Popularity: 0.00000]
Source: Program No. 2 Listen Item Type: Sound Recording Duration: 110 min Event Type: Music Program Origin: KPFA The second in a series of late-night electronic music mixes, produced by the editorial staff of “Source Magazine”, a biannual publication devoted to avant-garde composers’ scores, articles and photographs. Source also produced a series of published music scores, Composer/Performer Edition. This programs is produced by Larry Austin, Stanley Lunetta, and Arthur Woodbury. Part 1 of 2: Musical Selections: [a mix of electronic sounds, speech, and fragments of interviews] Genres: Electro-Acoustic / Electronic ; Avant-Garde Subject: Electro-acoustic ; Electronic music ; Avant-garde (Music) ; Text-sound compositions People: Austin, Larry ; Lunetta, Stanley ; Woodbury, Arthur Recording Date: 10/21/1969 First Broadcast Date: 10/21/1969 Part 2 of 2: Musical Selections: [a mix of electronic sounds, speech, and fragments of interviews] Genres: Electro-Acoustic / Electronic ; Avant-Garde Subject: Electro-acousti...
67. radiOM.org - Nicolas Slonimsky on Frank Zappa [5.121% Popularity: 0.00000]
Nicolas Slonimsky on Frank Zappa Listen Item Type: Sound Recording Duration: 5 min Event Type: Lecture / Panel Discussion Program Origin: KPFA In these recorded comments Nicolas Slonimsky describes how his musical world (classical/avant garde) and that of Frank Zappa (popular/avant garde) came together primarily due to the publication of a book by Slonimsky on scales and harmonies that attracted Zappa's attention. Slonimsky recounts his acceptance of an invitation by Zappa to play with his rock band. He also recounts how amazed he was when he observed Zappa's scores for classical music which looked "far out", like something Edgar Varèse would write, a composer who was admired by both Slonimsky and Zappa. Genres: Popular Music ; Avant-Garde Subject: Varèse, Edgard, 1883-1965 ; Zappa, Frank ; Popular music ; Avant-garde (Music) ; Rock music ; New music People: Slonimsky, Nicolas, 1894-1995 Recording Date: 05/03/1983 First Broadcast Date: 5/20/1983 Listen...
68. radiOM.org - Interview with Max Neuhaus [5.117% Popularity: 0.00000]
Interview with Max Neuhaus Listen Item Type: Sound Recording Duration: 27 min Event Type: Interview and Music Program Origin: WBAI John Corigliano, the music director of WBAI interviews percussionist Max Neuhaus about his efforts interpreting and performing Karlheinz Stockhausen's work “Zyklus.” Although Stockhausen originally intended the piece to be played spontaneously, most percussionist found that the range of instruments the piece called for, (twenty one!) to be too unwieldy to make a spontaneous performance possible. However after consulting with Stockhausen and spending months practicing Neuhaus finally managed to perform the piece satisfactorily. Musical Selections: Zyklus (1959) / Karlheinz Stockhausen Genres: New Music ; Avant-Garde Subject: New music ; Avant-garde (Music) ; Percussion music People: Neuhaus, Max ; Corigliano, John, 1938- ; Stockhausen, Karlheinz, 1928-2007 Listen...
69. radiOM.org - Source Text-Sound Composition by Harold Budd [5.117% Popularity: 0.00000]
Source: Text-Sound Composition by Harold Budd Listen Item Type: Sound Recording Duration: 40 min Event Type: Music Program Origin: KPFA Another in a series of late-night, electronic music mixes, produced by the editorial staff of “Source Magazine”, a biannual publication that was devoted to avant-garde composers’ scores, articles and photographs. Source also produced a series of published music scores, known as the Composer/Performer Edition. In this program you will hear a couple of experimental text-sound compositions, including one by the well known composer of ambient music, Harold Budd. Musical Selections: [unidentified text-sound composition] / Harold Budd -- [another(?) mix of music, electronic sounds & speech] Genres: Electro-Acoustic / Electronic ; Sound Poetry Subject: Electro-acoustic ; Electronic music ; Avant-garde (Music) ; Jazz ; Text-sound compositions ; Sound poetry People: Budd, Harold Listen...
70. radiOM.org - An Interview with Karlheinz Stockhausen, January 1967 [5.115% Popularity: 0.00000]
An Interview with Karlheinz Stockhausen, January 1967 Listen Item Type: Sound Recording Duration: 56 min Event Type: Interview Program Origin: KPFA An interview with German composer Karlheinz Stockhausen conducted by members of the Society for the Performance of Contemporary Music. The interview took place in January 1967 at Stockhausen’s apartment in Sausalito, California as a prelude to a performance by the Society at the San Francisco Museum of Art to be held on February 24, 1967. The performance included the San Francisco premiere of Stockhausen’s masterpiece in electronic music, “Kontakte”. Genres: Avant-Garde ; Electro-Acoustic / Electronic Subject: Stockhausen, Karlheinz, 1928- ; Electronic music ; Avant-garde (Music) ; New music People: Stockhausen, Karlheinz, 1928-2007 Listen...
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