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Search for "Sonatas (Violin and piano)". Search results: sonatas : 145, violin : 1178, and : stopword, piano : 3959. Results 91-94 of 94. Search took 0.013 seconds
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91. radiOM.org - Other Minds Festival OM 8, Concert 2: 01 “Sonata for Harpsichord” by Lou Harrison [0.141% Popularity: 0.00000]
Other Minds Festival: OM 8, Concert 2: 01 “Sonata for Harpsichord” by Lou Harrison Listen Item Type: Sound Recording Duration: 10 min Event Type: Music Program Origin: Other Minds Additional Media Files (click to view) Lou Harrison's output of solo keyboard music spans his entire career, with some works he now prefers on harpsichord originally designated ‘for keyboard,' ‘for cembalo,' ‘for piano or harpsichord,' ‘for piano,' or even ‘for tack piano' (used also in mid-century as a harpsichord substitute). The opportunity to perform these works on various early keyboard instruments gives rise to creative solutions, for example, in tempo and idiomatic ornamentation. Beyond this, the attack and decay characteristics of each instrument subtly suggest which historic or occasional temperament will best support the structure and affect of each piece. “Sonata for Harpsichord” was composed by Harrison for Linda Burman-Hall to play on the eve of 2000. It offers three contrasting moods based on modal scales: a bustling, ...
92. radiOM.org - An Interview and Performance by Dane Rudhyar, (July 29, 1956) [0.086% Popularity: 0.00000]
An Interview and Performance by Dane Rudhyar, (July 29, 1956) Listen Item Type: Sound Recording Duration: 66 min Event Type: Interview and Music Program Origin: Tenney Estate Additional Media Files (click to view) In a recording made on July 29, 1956, Dane Rudhyar is interviewed for KPCC Radio in Pasadena, California. Rudhyar talks about his early history, his decision to move to the United States in 1916, his interest in Indian and “Oriental” music, psychology, painting, and poetry. While he describes his music as having dissonant elements, Rudhyar seeks to make a distinction between his compositions, which he states are attempts to be attuned to human psychology, and the more technical exercises in modernism of other avant-garde pianist composers. To illustrate his comments Rudhyar performs a number of selections from “Moments,” a collection of tone poems for the piano that were later revised and republished in the 1970s as his “Pentagrams.” These brief but poignant and very resonant works are perfectly bal...
93. radiOM.org - Jean Nandi Harpsichord Recital (Dec. 12, 1971) [0.044% Popularity: 0.00000]
Jean Nandi Harpsichord Recital (Dec. 12, 1971) Listen Item Type: Sound Recording Duration: 84 min Event Type: Music Program Origin: KPFA A recital of harpsichord music by Jean Nandi, recorded on December 12, 1971 at the Berkeley Piano Club. Ms. Nandi plays a selection of works by Louis Couperin, Girolamo Frescobaldi, Domenico Scarlatti, J.S. Bach, & Lou Harrison. The harpsichord used in this concert was built for Jean Nandi in 1970 by Richard Alexander, of Berkeley California. The scaling is similar to an instrument made by Andreas Ruckers, of Antwerp, in 1639. This original instrument is now in the Gemeentemuseumin of The Hague, Netherlands. Mr. Alexander modified the design of the original, chiefly to allow a greater range. Part 1 of 2: Musical Selections: Suite in G Minor / Louis Couperin -- Bergamasca (ca. 1635) / Girolamo Frescobaldi -- Partite 14 sopra l’Aria della Romanesca / Girolamo Frescobaldi Performers: Jean Nandi, harpsichord Genre: Classical Music Subject: 17th century classical ; Harpsichord mu...
94. radiOM.org - Other Minds Festival OM 8: Djerassi Resident Artists Program Panel Discussions (March 2002) [0.018% Popularity: 0.00000]
Other Minds Festival: OM 8: Djerassi Resident Artists Program Panel Discussions (March 2002) View Item Type: Video Duration: 5hr 12min Event Type: Lecture and Panel Discussion Program Origin: Other Minds Prior to each annual Other Minds Festival the featured composers have traditionally gathered together for a number of days at the Djerassi Resident Artists Program in Woodside CA., to meet each other and offer presentations about their works. In this program, recorded from March 3-5, 2002, you get the rare and invaluable opportunity of sitting in on these far ranging and interactive discussions, which provide insight into each composer’s early experiences and style of composing. In part one of this program, Charles Amirkhanian provides a brief introduction before Festival photographer John Fago attempts to put all the participants at ease about being on camera by showing some samples of his superb still photographs taken during earlier Festivals. Lou Harrison then talks about his style of composing and his us...
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