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Search for: Extended

Search for "Cut-ups (Literary)". Search results: cut : 43, ups : 21, literary : 29. Results 1-10 of 14. Search took 0.029 seconds
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1. radiOM.org - John Cage at Crown Point Press [5.116% Popularity: 0.00000]
John Cage at Crown Point Press Listen Item Type: Sound Recording Duration: 104 min Event Type: Spoken Word Program Origin: KPFA A reading at Crown Point Press at the opening of John Cage's exhibit of etchings on April 18, 1982. This program includes an interview with Crown Point Press founder Kathan Brown, an excerpt from Cage's “Indeterminacy”, as well as live readings from Cage’s “Composition in Retrospect”, and “Diary: How to Improve the World, You'll Only Make Matters Worse” (Continued 1972 - 1982). Part 1 of 2: Musical Selections: Indeterminacy [excerpts] / John Cage & David Tudor Genres: Literature ; Modern Art Subject: Cage, John ; Coolidge, Clark, 1939- ; Literature, Experimental ; Art, Modern ; Etching ; Tales ; Musique concrète ; Music, concrete ; Aleatory music ; Chance operations ; Electro-acoustic ; Electronic music ; Poetry ; Cut-ups (Literary form) People: Amirkhanian, Charles ; Brown, Kathan ; Cage, John ; Tudor, David, 1926-1996 Recording Date: 4/18/1982 Part 2 of 2: Musical Selections: Compo...
2. radiOM.org - Ode To Gravity New Works of Liam O'Gallagher (1971) [5.110% Popularity: 0.00000]
Ode To Gravity: New Works of Liam O'Gallagher (1971) Listen Item Type: Sound Recording Duration: 56 min Event Type: Spoken Word Program Origin: KPFA Three mutant, sci-fi, fantasies by San Francisco writer and visual artist Liam O'Gallagher. His concrete poetry and cut-up writings, often heralded a future of artificial intelligence, space migration, and expanding consciousness as is shown in these three works form the early 1970s. "2021" is a reply to Philip Geitzen's question concerning whether science fiction will be science fact in 2021. It was the soundtrack for a Geitzen video piece premiered at the Philo T. Farnsworth Memorial Event held at the Palace of Fine Arts in San Francisco in June of 1971. "Super/Software" is a cut-up text which appears in O'Gallagher's "The Blue Planet Notebooks", published in 1972 by the San Francisco underground magazine, "Organ". "Past/Future Time" is a cut-up which includes material from a record found in an elevator at 205 West 57th. A record that could be a so-called “arti...
3. radiOM.org - A reading by Jan Herman [5.109% Popularity: 0.00000]
A reading by Jan Herman Listen Item Type: Sound Recording Duration: 24 min Event Type: Spoken Word Program Origin: KPFA In a program that was recorded on Feb. 13, 1970, Jan Herman reads from the 5th issue of his magazine “San Francisco Earthquake.” The title of this particular issue was “VDRSVP.” The reading includes works by Sinclair Beiles, Carl Solomon, Carl Weissner, Annie Rooney, and Jan Herman, chosen at random, and read here as if they were all part of the same piece. Jan Herman was at the time a publisher of avant-garde literature, who in addition to his magazine, also brought to print various pamphlets by Dick Higgins, Liam O'Gallagher, and William S. Burroughs under the Nova Broadcasting imprint. This particular reading serves as a classic example of the sort of cut-up literary style that was championed by such writers as William S. Burroughs, and which was quite popular in the late 1960s and 1970s. Genre: Literature Subject: Literature, Experimental ; Cut-ups (Literary form) People: Amirkhanian, Ch...
4. radiOM.org - William S. Burroughs Press Conference at the Berkeley Museum of Art, Nov. 12, 1974 [5.100% Popularity: 0.00000]
William S. Burroughs Press Conference at the Berkeley Museum of Art, Nov. 12, 1974 Listen Item Type: Sound Recording Duration: 39 min Event Type: Interview At a press conference for an unidentified occasion, William S. Burroughs fields an array of questions and discusses his relationships with, or opinions of, Paul Bowles, Allen Ginsberg, Timothy Leary, Jose Delgado, and Alfred Korzybski, among others. Burroughs also gives his opinions on the women's movement, contemporary (1974) politics (Watergate, etc.), governmental methods of civilian control, and the possibilities of revolution and rebellion in the contemporary era. There is also a fairly extensive discussion in the last ten minutes of the program on his writing process, including use of the cut-up method or collage writing and the relationship of his own writing to the science fiction genre. Genres: Literature ; Current Events Subject: Bowles, Paul ; Ginsberg, Allen, 1926-1997 ; Leary, Timothy, 1920-1996 ; Delgado, Jose ; Korzybski, Alfred ; Burroughs,...
5. radiOM.org - John Cage at the San Francisco Art Institute [5.098% Popularity: 0.00000]
John Cage at the San Francisco Art Institute Listen Item Type: Sound Recording Duration: 77 min Event Type: Lecture / Panel Discussion Program Origin: C Amirkhanian John Cage reading his composition "One 7" and answering questions from a capacity audience at the theater of the San Francisco Art Institute. “One 7” is approximately 30 minutes long and consists of brief vocalizations interspersed with long periods of silence. The questions from the audience range from inquiries about the process by which Cage composes, his lack of interest in pleasing an audience, his love of mushrooms, Buddhism, chance operations, and whether Cage can stand on his head. Musical Selections: One 7 / John Cage Genre: Poetry Subject: Cage, John ; Poetry ; Silence in literature ; Cut-ups (Literary form) ; Chance operations ; Aleatory music ; Zen Buddhism People: Cage, John Recording Date: 1/9/1991 Listen...
6. radiOM.org - Speaking of Music John Cage, 1987 [5.096% Popularity: 0.00000]
Speaking of Music: John Cage, 1987 Listen Item Type: Sound Recording Duration: 128 min Event Type: Interview and Music Program Origin: KPFA Additional Media Files (click to view) Charles Amirkhanian interviews John Cage on January 8, 1987, as part of the San Francisco Exploratorium’s Speaking of Music series. The program begins with a discussion of two of Cage’s pieces of aleatoric music, “Music For” which is scored for any number of instruments, and “Thirty Pieces for Five Orchestras”. Also discussed in detail is “EurOperas 1 & 2”, which was intended to be an opera like no other, and in that regard it has no real libretto or plot. However the majority of this program is dedicated to questions from the audience. In his answers Cage continues to confound expectations with his comments about why he composes using chance operations (to free his music from his likes and dislikes), the role of silence in music (to listen to the sounds everyone ignores), and the role of music (to quiet the mind). Cage also wanders ...
7. radiOM.org - Cabrillo Music Festival Lecture by John Cage, Aug. 1977 [5.094% Popularity: 0.00000]
Cabrillo Music Festival: Lecture by John Cage, Aug. 1977 Listen Item Type: Sound Recording Duration: 112 min Event Type: Lecture / Panel Discussion Program Origin: KPFA The lecture begins with reading of “Mureau”, which is based on a text by Henry David Thoreau. The program concludes with a lengthy question and answer session that followed Cage’s appearance at the Cabrillo Music Festival in August 1977. It is often in addressing the public’s questions that Cage’s brilliance is most memorable, and this example is no exception. Of particular interest is his description of how he uses chance operations in his creative processes. Part 1 of 2: Musical Selections: Mureau / John Cage Genre: Literature Subject: Cage, John ; Tudor, David, 1926-1996 ; Literature, Experimental ; Aleatory music ; Chance operations ; Cut-ups (Literary form) People: Cage, John ; Thoreau, Henry David, 1817-1862 Part 2 of 2: Genres: New Music ; Avant-Garde Subject: Cage, John ; Stockhausen, Karlheinz, 1928- ; Avant-garde (Art) ; Avant-garde ...
8. radiOM.org - Ode To Gravity The Performance Poetry of Toby Lurie [5.091% Popularity: 0.00000]
Ode To Gravity: The Performance Poetry of Toby Lurie Listen Item Type: Sound Recording Duration: 80 min Event Type: Spoken Word Program Origin: KPFA Charles Amirkhanian interviews Toby Lurie, one of America’s best-known performance poetry artists. Lurie explains the various poetic techniques that he has developed such as his conversation-poems in which more than one voice interact to create a woven tapestry of poetic phrases and overlapping statements. Another type of poetry discussed and performed here are one-word or sound-poems, which attempt to get inside a single word, fully explore its parts and create new meanings by emphasizing or rearranging its syllables. He also talks about his found-poems that are created by cutting up and rearranging found texts, in much the same way that William S. Burroughs has done with prose. Originally a student of music, Lurie has also scored or orchestrated many of his poems, combining many traditional musical forms and elements such as fugues, canons, and pitch with the s...
9. radiOM.org - A Reading by John Giorno & William Burroughs, Nov. 7, 1974 [5.090% Popularity: 0.00000]
A Reading by John Giorno & William Burroughs, Nov. 7, 1974 Listen Item Type: Sound Recording Duration: 79 min Event Type: Spoken Word Program Origin: KPFA Charles Amirkhanian and Victor Bedoian introduce a live reading before an audience of over 1,000 at the Pauley Ballroom of U. C. Berkeley given by America's most noted writers, William S. Burroughs and John Giorno. Giorno (b. 1936) reads his newest work "Subduing Demons in America" and his "Suicide Sutra.” Burroughs reads excerpts from "Nova Express,” "The Wild Boys" and other works. Warning: Contains scatological phraseology and other obscenities Musical Selections: Subduing Demons in America (1974) (29:04) / John Giorno -- Suicide Sutra (ca. 1973) (7:56) / John Giorno -- Nova Express [excerpt] (c. 1964) (2:54) / William S. Burroughs -- Cities to the Red Night: Virus B-23 [a work in progress, finally published in 1981] (9:04) / William S. Burroughs -- The Wild Boys [excerpt] (c. 1971) (23:56) / William S. Burroughs Genres: Poetry ; Literature Subject: Poet...
10. radiOM.org - Ode To Gravity Integral Instant (Four Situations) by Hammond Guthrie [5.090% Popularity: 0.00000]
Ode To Gravity: Integral Instant (Four Situations) by Hammond Guthrie Listen Item Type: Sound Recording Duration: 61 min Event Type: Spoken Word Program Origin: KPFA An evening of experimental literature, poetry, and music by the San Francisco based writer and inter-media artist, Hammond Guthrie, in collaboration with his colleagues, Peter Cosgrove, Max Crosley, and others. This program includes a number of poems, written and performed in the style of the Beat Generation; a spattering of electronic music; and an experimental auditory collage of free association. This program is dedicated to Tristan Tzara and William S. Burroughs. Warning: Contains obscenities. (from KPFA Folio) Musical Selections: Introduction / Peter Cosgrove -- Treatise on a Bum (for Kerouac) / Hammond Guthrie -- Disintegration to Breath / Max Crosley & Hammond Guthrie -- Musical Intermission / Group Togetherness -- My Hemingway / Max Crosley -- Free Association Collage / Jeff Beach, Peter Cosgrove, Max Crosley, & Hammond Guthrie Performers...
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