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Search for "Geneviève, of Brabant (Legendary character)". Search results: geneviève : 3, of : stopword, brabant : 7, legendary : 28, character : 26. Results 1-3 of 3. Search took 0.009 seconds
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1. radiOM.org - New Music Ensemble Christmas Concert, December 4, 1971 [5.011% Popularity: 0.00000]
New Music Ensemble Christmas Concert, December 4, 1971 Listen Item Type: Sound Recording Duration: 61 min Event Type: Music Program Origin: KPFA A Christmas Concert by the San Francisco Conservatory New Music Ensemble held at the DeYoung Museum in San Francisco on December 4, 1971. This program features works by Leland Smith, Erik Satie, Shin ‘ichi Matsushita, as well as the world premiers of “Illuminatio Nocturna” by Robert Moran and “Noël” by Arne Mellnäs. All performed by the New Music Ensemble under the direction of Howard Hersh. (from KPFA Folio) Part 1 of 2: Musical Selections: Arabesque (8:30) / Leland Smith -- Illuminatio Nocturna (1971) (12:00) / Robert Moran -- Genevieve de Brabant (1899-1900) (14:30) / Erik Satie [orchestrated by Howard Hersh and Ivan Tcherepnin] Performers: San Francisco Conservatory New Music Ensemble Howard Hersh, director Robert Moran, co-director (Illuminatio) Joan Gallegos, co-director (Illuminatio) Genres: New Music ; 20th Century Classical Subject: Geneviève, of Brabant (Le...
2. radiOM.org - An Avant-Garde Christmas Concert by the S.F. Conservatory of New Music Ensemble, (Dec. 3, 1970) [4.975% Popularity: 0.00000]
An Avant-Garde Christmas Concert by the S.F. Conservatory of New Music Ensemble, (Dec. 3, 1970) Listen Item Type: Sound Recording Duration: 81 min Event Type: Music Program Origin: KPFA On December 3, 1970 the San Francisco Conservatory New Music Ensemble presented this Avant-Garde Christmas Concert, at the DeYoung Museum in San Francisco. The concert begins with “The Queens’ Funeral March and Canzona,” which was originally composed by Henry Purcell as incidental music for a play but was used for the funeral procession of Queen Mary in 1695. It has been orchestrated here by Robert Moran. This is followed by Purcell’s “Fantazia No. 6” and a reprise of the “March,” all orchestrated by Moran in which no notes have been added or subtracted, but merely reassigned to different instruments. We then hear an original composition by Moran, based on a simple two voice musical example by Purcell and entitled “Variations for Mr. Purcell.” The concert then takes a distinctly more modern turn with Shinʾichi Matsushita aleat...
3. radiOM.org - A Concert by the S. F. Conservatory of New Music Ensemble (Dec. 5, 1969) [4.969% Popularity: 0.00000]
A Concert by the S. F. Conservatory of New Music Ensemble (Dec. 5, 1969) Listen Item Type: Sound Recording Duration: 93 min Event Type: Music Program Origin: KPFA Charles Amirkhanian introduces a concert by the San Francisco Conservatory New Music Ensemble, originally recorded on December 5, 1969, at the DeYoung Museum in San Francisco. After an initial selection of 15th century Christmas carols the concert veers sharply towards the 20th century with a performance of Anton Webern’s brief, but wholly satisfying, “Three Small Pieces, Op. 11,” for piano and cello. This is followed by two distinctly avant-garde compositions, Christian Wolff’s “Electric Spring III,” scored for violin, horn, and electric guitar and bass, and Robert Moran’s suitably entitled, aleatoric work, “Elegant Journey with Stopping Points of Interest,” for two spatially placed instrumental ensembles. The second half of the concert begins with a further selection of Christmas carols, followed by the whimsical, yet rarely performed, “Poème Symp...
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