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Search for "K-Doe, Ernie ". Search results: k : 126, doe : 4, ernie : 6. Results 1-2 of 2. Search took 0.020 seconds
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1. radiOM.org - Speaking of Music An Interview with Brian Eno (Feb. 26, 1988) [5.084% Popularity: 0.00000]
Speaking of Music: An Interview with Brian Eno (Feb. 26, 1988) Listen Item Type: Sound Recording Duration: 125 min Event Type: Interview and Music Program Origin: KPFA Additional Media Files (click to view) The legendary perspicacity of composer, artist, and producer Brian Eno was everywhere evident in his February 26, 1988 appearance before a sold out audience at the Palace of Fine Arts Theater, in San Francisco, as part of the San Francisco Exploratorium’s Speaking of Music series, hosted by Charles Amirkhanian. This is an extraordinary visit with the Englishman who has been widely influential in the development of post-rock music. Eno discusses his video work, “Latest Flames,” commissioned by the Exploratorium, and his development and influences in music. Treasured insights into the life and work of this remarkable artist include: “Music for Airports” is music to make you not care if you die; his success is due to the fact that his parents never seemed too interested in what he was doing; “primitive art” j...
2. radiOM.org - Speaking of Music Brian Eno on Art and Music (February 27, 1988) [5.083% Popularity: 0.00000]
Speaking of Music: Brian Eno on Art and Music (February 27, 1988) Listen Item Type: Sound Recording Duration: 133 min Event Type: Interview and Music Program Origin: KPFA Additional Media Files (click to view) In the second of two consecutive appearances before a live audience, as part of the San Francisco Exploratorium’s Speaking of Music series, Charles Amirkhanian interviews composer and artist Brian Eno, about his latest multi-media installation, and other subjects of interest. Eno had just finished working at the Exploratorium on a video art project called “Latest Flames,” in which he had used video monitors as an ever changing light source to illuminate a selection of paintings, all placed in a relatively dark space, with ambient music playing in the background. Eno describes, in some considerable detail, how he developed this installation. He also discusses his experiences at art school, as well as his ideas about when his “experiments” become music, (when he ceases to feel he has to defend them); the ...
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