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Search for "Sonami, Laetitia de Compiègne ". Search results: sonami : 32, laetitia : 24, de : 433, compiègne : 5. Results 1-2 of 2. Search took 0.009 seconds
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1. radiOM.org - Morning Concert Spirit Catchers: Laetitia Sonami & Janice Giteck [6.306% Popularity: 0.00000]
Morning Concert: Spirit Catchers: Laetitia Sonami & Janice Giteck Listen Item Type: Sound Recording Duration: 115 min Event Type: Interview and Music Program Origin: KPFA Charles Amirkhanian interviews two outstanding women composers, both of whom have combined their artistic and spiritual lives in search for new meaning, understanding, and creativity. Laetitia de Compiègne Sonami, born in Paris in 1957, studied with composer Eliane Radigue. In 1977 she moved to the United States to study electronic music. She has worked as a recording engineer and performer, and often utilizes electronics of her own making in her compositions. Her electronic works, several of which are heard in the first half of this program, mix extraordinary electronic sounds with selections of texts, songs, music, and ambient sounds, to produce absolutely exquisite and entrancing soundscapes. Janice Giteck studied at Mills College in the 1960s and was one of the last students of Darius Milhaud. She studied further in Paris with Olivier Me...
2. radiOM.org - Other Minds Festival OM 4: Concert 1 [4.948% Popularity: 0.00000]
Other Minds Festival: OM 4: Concert 1 Listen Item Type: Sound Recording Duration: 106 min Event Type: Music Program Origin: Other Minds Other Minds, Inc., in association with the Djerassi Resident Artists Program, and with the In Performance Series at the Cowell Theater in Fort Mason Center, presented Other Minds Festival IV at the Cowell Theater, at Fort Mason Center in San Francisco, November 10-12, 1997. The first concert of the 4th Other Minds featured several electronic and mixed media works by composers Laetitia Sonami, Donald Swearingen, Pamela Z, and video artists Visual Brains. Program: Laetitia Sonami: She Came Back, Again (1997) With She Came Back, Again Sonami writes that she "rediscovers the pleasure of the fluidity of sound offered by FM synthesis. The lady's glove controls parameters of the synthesis and flirts with the destabilization of these sounds, constructing and deconstructing layers, forming recollections of abstract habitual patterns...The inspiration for the text came from the earlier...
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